American Folk Art of the Twentieth Century by Jay Johnson PDF

By Jay Johnson

This illustrated advisor to American people artists and their paintings spans a century of painters from Grandma Moses to Kathy Jakobsen and covers such media as sculpture, pottery, and fabric creations.

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York, Art Association juried exhibition of at the Bridge Gallery and the Westlake Gallery, Bill Chute South Ferry & Brooklyn Bridge 1981 Oil on canvas; 20" x 24" Collection of Mr. and Mrs. Michael Donovan Photo by Bill Buckner 45 Clark The Coe creative impulse that causes a folk artist to begin to work varies with the With some, it is the new freedom that comes with retirement; with or the hope of financial gain. With Clark Coe, it was pity. boredom others, Stricken at the sight of a young bedridden nephew, Coe resolved to provide the child with something to entertain him.

Set within frames and painted At on pine, poplar, in acrylics (he painted a few early works in oils), these relief-carved works reflect their creator's strongly held social and political views. In Garden of Eden, a disgruntled permeates and Eve are driven forth, from a paradise that comes equipped with a television bottles in hand, "rabbit ears" of Adam which much are those of a real rabbit (a bit of the quirky of Cartledge's work) white picket fence. The white — and which is Coke set humor — the that surrounded by an all-too-neat fence as a social and racial symbol emerges again in White Fence, in which black hands set against a background of red and orange flames grasp the pickets as though they were prison bars.

Even ledge produces so, he is highly regarded, and his compositions are found in the collections of the High Museum of Art, Atlanta, Georgia, and the Lyndon Baines Johnson Library and Museum of Austin, Texas, as well as in various important private collections. 42 William Ned Cartledge Garden of Eden 1979 wood painted with acrylic; 23" x I6V2" Relief-carved Private collection William Ned Cartledge Communist Loaf 1979 wood painted with acrylic; 20" x 24" Relief-carved Collection of the artist 43 Bill The Chute Chute was fascinated with the sights and sounds of America's from an early age and has devoted himself to recreating on canvas the railways "iron horses" of yesteryear.

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American Folk Art of the Twentieth Century by Jay Johnson

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