By Christopher Pullen (auth.)
ISBN-10: 0230236642
ISBN-13: 9780230236646
ISBN-10: 1349363154
ISBN-13: 9781349363155
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Additional resources for Gay Identity, New Storytelling and the Media
Example text
Consequently, lang’s Ingénue represents a new coming of age where she has moved away from hybrid country music, and an androgynous identity which might reflect mainstream taste (and her support of dominant social traditions), and reveals a confidence in self which is direct, personal and confrontational. Ingénue represents a personal reflection in the same manner in which new storytellers for gay and lesbian identity reveal details of their intimate lives. The album cover depicts lang looking down, away from the camera lens, and it is slightly out of focus suggesting contemplation and emotion.
Although many consider that she had never hidden her sexuality, shortly after the release of Ingénue she discussed her sexuality openly within the Advocate in 1992 (see Collis, 1999; Martinac, 1997; Robertson, 1993 [originally 1992]; Starr, 1994), and the popular press. As the first openly gay popular celebrity not to conceal a homosexual identity, I believe that she represents a watershed in transitions of homosexual identity within popular culture. Her shame-free identity emerges after many years of celebrities concealing homosexual identity, for fear of association with deviancy and ‘otherness’.
Through the gateway of Howard’s eyes, the audience connect with aspects of new storytelling, valuing same-sex partnerships, as central, meaningful and profound. Whilst Gore Vidal remains an evocative and often enigmatic force, and his contribution to new storytelling for gay identity is significant on many varying levels, his contribution to contemporary media is of particular note. Vidal’s evocation within Myra Breckinridge that ‘television creates a new kind of person who will then create a new kind of art, a circle of creation’ (1986: 98) (discussed above), I argue, can be related to the context of popular culture, celebrity and the opportunity of vernacular media.
Gay Identity, New Storytelling and the Media by Christopher Pullen (auth.)
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