By Martin Paul Eve
ISBN-10: 1107484014
ISBN-13: 9781107484016
If you happen to paintings in a college, you're virtually sure to have heard the time period 'open entry' some time past couple of years. you can also have heard both that it's the utopian resolution to the entire difficulties of study dissemination or maybe that it marks the start of an apocalyptic new period of 'pay-to-say' publishing. during this booklet, Martin Paul Eve units out the histories, contexts and controversies for open entry, particularly within the humanities. Broaching useful components along financial histories, open licensing, monographs and funder regulations, this publication is a must-read for either these new to rules approximately open-access scholarly communications and people with an already prepared curiosity within the most modern advancements for the arts. This name can be on hand as open entry through Cambridge Books on-line.
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Extra resources for Open Access and the Humanities: Contexts, Controversies and the Future
Sample text
While most software licenses are designed to use copyright to restrict the end-user’s freedom to modify the underlying source code and/or redistribute the program, Stallman’s license reverses this, using the authority of copyright to stipulate, explicitly, that the source code for applications must be made public to allow anybody else to view, redistribute and, most importantly, modify the program. The license further specifies that anybody else’s modifications to the software must be redistributed under the same terms, thereby ensuring that this freedom is extended to future users.
Although checking others’ use of sources is currently a far less common practice than might be hoped, if all research were open access and the necessary technological infrastructure was put into place, an environment could exist in which this kind of checking could be instantaneous: a linked click. Of course, much humanities writing requires a more totalised understanding of the work than just a link to a single paragraph – it requires the argument, the aesthetic and the context – but this does not impinge upon the potential supplementary benefits of such a system.
However, as will be seen, it is the modification/derivatives clauses that have aggravated certain parties. Opponents of open licensing fear reputational damage, which is the core currency for academics, and the erosion of academic citation norms, let alone the potential economic consequences for publishers. Yet the core questions that I will address later are, from the advocate’s perspective, whether the time-limited copyright monopoly, when free of financial gain, was ever intended to be used to protect the integrity of work.
Open Access and the Humanities: Contexts, Controversies and the Future by Martin Paul Eve
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