Postcolonial Traumas: Memory, Narrative, Resistance - download pdf or read online

By Abigail Ward

ISBN-10: 1137526432

ISBN-13: 9781137526434

ISBN-10: 1349569348

ISBN-13: 9781349569342

This selection of essays explores a few new percentages for figuring out postcolonial traumas. It examines representations of either own and collective traumas all over the world from Palestinian, Caribbean, African American, South African, Maltese, Algerian, Indian, Australian and British writers, administrators and artists.

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Additional resources for Postcolonial Traumas: Memory, Narrative, Resistance

Sample text

43. The house key is a Palestinian icon symbolising forced expulsion and the desire to return. 44. Beverley Butler also notes the precariousness of the domestic and the diurnal in this context (‘“Othering” the Archive’, 67). 45. Maurice Halbwachs, On Collective Memory, trans. Lewis A. Coser (Chicago, IL: University of Chicago Press, 1992), 18. 46. Gertz and Khleifi, Palestinian Cinema, 126. 47. See Nira Yuval-Davis and Floya Anthias, Woman-Nation-State (London: Macmillan, 1989). 48. Massad, Persistence of the Palestinian Question, 49.

18 The importance of Prince’s History as the earliest published representation of a collective experience of female trauma cannot be underestimated. This autobiographical account fits into the Latin American genre of ‘testimonio’ which emerged as a new literary form in the 1960s. 19 Prince’s History, personalised in the title, is used as a testimony, in the literal and legal sense, not just to her own experience but to a much wider system of cruelty and oppression. Drawing on the work of John Beverley, Kennedy explains: testimonio should be treated as a documentary genre, rather than read as fiction.

Because contemporary writing is accessible, we can find many more examples that depict forms of abuse. In this chapter, I select three textual examples taken from these four periods in order to explore connections between diverse expressions of childhood trauma present in women’s fiction and autobiographies of white Creole and African-Caribbean origins. There are many more examples of women writing about childhood trauma, but these selections span historical distance, the black/white divide, and formal/genre divisions.

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Postcolonial Traumas: Memory, Narrative, Resistance by Abigail Ward


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