By Merold Westphal
ISBN-10: 0801031478
ISBN-13: 9780801031472
During this quantity, popular thinker Merold Westphal introduces present philosophical pondering concerning analyzing the Bible. spotting that no theology is totally freed from philosophical "contamination," he engages and mines modern hermeneutical thought in provider of the church. After offering a old evaluation of latest theories of interpretation, Westphal addresses postmodern hermeneutical conception, arguing that the relativity embraced there's not kind of like the relativism within which "anything goes." particularly, Westphal encourages us to include the proliferation of interpretations in keeping with diverse views with a view to get on the richness of the biblical textual content.
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Extra resources for Whose Community? Which Interpretation?: Philosophical Hermeneutics for the Church
Sample text
Judge Pyncheon, look at your watch now ... Q£, therefore, Judge Pyncheon, ~! Y away? Art thou too sluggish? . . Thus, for about twelve pages, Hawthorne heckles the dead judge. (4) The fourth device for marking vividness involves a shift along a parameter with four ordered values: NARR -+ PSEUDO-DIAL -+ DIALOGUE -+ DRAMA By pseudo-dialogue I mean resort to such devices as apostrophe (cf. the Governor Pyncheon passage above) and rhetorical question which partake of certain features of dialogue without being true dialogue.
The rhetorician's anatomy of plot 2 is the notional MONOLOGUE DISCOURSE 21 structure of climactic narrative. Notional structure here, as everywhere, is not in necessary one-to-one correspondence with surface structure features. We should expect the surface structure to have features similar to those of the notional structure but to mark them less consistently. This is what we find. The accompanying diagram gives a suggested correlation of the notional and surface features of climactic narrative discourse.
The narrator does not want you to miss the important point of the story so he employs extra words at that point. He may employ parallelism, paraphrase, and tautologies of various sorts to be sure that you don't miss it. A colleague of mine was taking a course in creative writing at the University of Hichigan. Her professor once said, 'At this point in the story I want more words. ' Let us call this device RHETORICAL UNDERLINING. It's as if you took a pencil and underlined certain lines of what you are writing.
Whose Community? Which Interpretation?: Philosophical Hermeneutics for the Church by Merold Westphal
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