By John Storey
In this seventh version of his award-winning Cultural conception and pop culture: An Introduction, John Storey has greatly revised the textual content all through. As ahead of, the publication offers a transparent and significant survey of competing theories of and diverse techniques to pop culture. Its breadth and theoretical harmony, exemplified via pop culture, signifies that it may be flexibly and relevantly utilized throughout a couple of disciplines. additionally holding the available procedure of past versions, and utilizing acceptable examples from the texts and practices of pop culture, this new version continues to be a key advent to the area.
New to this edition:
• generally revised, rewritten and up to date
• greater and accelerated content material throughout
• a brand new part on ‘The Contextuality of that means’ that explores how context affects which means
• a new bankruptcy on ‘The Materiality of pop culture’ that examines pop culture as fabric culture
• vast updates to the better half web site at www.routledge.com/cw/storey, along with perform questions, extension actions and interactive quizzes, hyperlinks to appropriate web content and additional studying, and a thesaurus of key phrases.
The re-creation is still crucial examining for undergraduate and postgraduate scholars of cultural reports, media experiences, conversation experiences, the sociology of tradition, pop culture and different similar subjects.
Read Online or Download Cultural Theory and Popular Culture: A Reader: An Introduction PDF
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Extra resources for Cultural Theory and Popular Culture: A Reader: An Introduction
It is a parasitic culture, feeding on high culture, while offering nothing in return. Folk art grew from below. It was a spontaneous, autochthonous expression of the people, shaped by themselves, pretty much without the benefit of High Culture, to suit their own needs. Mass Culture is imposed from above. It is fabricated by technicians hired by businessmen; its audience are passive consumers, their participation limited to the choice between buying and not buying. The Lords of kitsch, in short, exploit the cultural needs of the masses in order to make a profit and/or to maintain their class-rule .
Leavisism isolates certain key aspects of mass culture for special discussion. Popular fiction, for example, is condemned for offering addictive forms of ‘compensation’ and ‘distraction’: This form of compensation . . is the very reverse of recreation, in that it tends, not to strengthen and refresh the addict for living, but to increase his unfitness by habituating him to weak evasions, to the refusal to face reality at all (Leavis and Thompson, 1977: 100). D. Leavis (1978) refers to such reading as ‘a drug addiction to fiction’ (152), and for those readers of romantic fiction it can lead to ‘a habit of fantasying [which] will lead to maladjustment in actual life’ (54).
Storey, John, Culture and Power in Cultural Studies: The Politics of Signification, Edinburgh: Edinburgh University Press, 2010. Extends many of the arguments in this book into more detailed areas of research. Strinati, Dominic, An Introduction to Theories of Popular Culture, London: Routledge, 1995. A clear and comprehensive introduction to theories of popular culture. Tolson, Andrew, Mediations: Text and Discourse in Media Studies, London: Edward Arnold, 1996. An excellent introduction to the study of popular media culture.
Cultural Theory and Popular Culture: A Reader: An Introduction by John Storey