By Margot Lovejoy
ISBN-10: 0415307813
ISBN-13: 9780415307819
Digital Currents explores the transforming into effect of electronic applied sciences on aesthetic adventure and examines the key alterations happening within the function of the artist as social communicator.
Margot Lovejoy recounts the early histories of digital media for paintings making - video, desktop, the net - during this richly illustrated ebook. She presents a context for the works of significant artists in each one media, describes their tasks, and discusses the problems and theoretical implications of every to create a starting place for realizing this constructing box.
Digital Currents fills an enormous hole in our realizing of the connection among paintings and expertise, and the fascinating new cultural stipulations we're experiencing. it is going to be excellent studying for college students taking classes in electronic artwork, and likewise for an individual trying to comprehend those new artistic forms.
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Extra info for Digital Currents: Art in the Electronic Age
Sample text
This shift has become even more significant with the development of television. As time has gone on, it has become possible to argue that film has begun to replace, or rival, the novel as the most important narrative form. vision, representation, and invention 33 Rise of a modernist aesthetic by the end of the nineteenth century As Western culture began to take on the greater complexity of modern times, old premises about representation, dating from the Renaissance times, were challenged. Influences from the mid-century scientific study of optics, and the physiological principles of visual perception and color, had their effect in shifting the consciousness of the Impressionists to a modern system of seeing.
The flow of moving images permits an analysis from different points of view. They represent a deepening of perception, for they permit analysis of different points of view and extend comprehension beyond our immediate understanding by revealing entirely new structures of a subject than is available to the naked eye. New structural formations of subject and image become possible. Cinema appeals to our conscious impulses, as well as our unconscious, in the dramatic ways it can represent and record our environment.
The very intrusion of the influence of photographic technologies into every aspect of life had the effect of prejudicing its direct use for art, except as an anti-aesthetic statement by the avant-garde movements. Primarily, photography acted as a powerful catalyst invading every aspect of the cultural climate and the very fabric of society, creating the underlying conditions for a new kind of technological imagination and the impetus for invention of new forms of representation. Notes 1 Dick Higgins, questioning changes in art, quoted in Brian McHale, Constructing Postmodernism (London and New York: Routledge, 1992), pp.
Digital Currents: Art in the Electronic Age by Margot Lovejoy
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