By Alison Landsberg
ISBN-10: 0231539460
ISBN-13: 9780231539463
Examining motion pictures, tv dramas, truth indicates, and digital shows, between different well known texts, enticing the earlier examines the making and that means of historical past for daily audience. modern media can motivate advanced interactions with the previous that experience far-reaching results for heritage and politics. audience event those representations individually, cognitively, and physically, yet, as this ebook unearths, not only by way of deciding upon with the characters portrayed.
Some of the works thought of during this quantity comprise the movies resort Rwanda (2004), strong evening and sturdy success (2005), and Milk (2008); the tv dramas Deadwood, Mad males, and Rome; the truth indicates Frontier residence, Colonial condo, and Texas Ranch apartment; and the key Annex on-line, accessed in the course of the Anne Frank condo web site, and the Kristallnacht show, accessed throughout the Unites States Holocaust Museum web site. those mass cultural texts domesticate what Alison Landsberg calls an "affective engagement" with the earlier, tying the viewer to an occasion or individual and fostering a feeling of intimacy that does greater than delivery the viewer again in time. have an effect on, she indicates, may also paintings to disorient the viewer, forcibly pushing her or him out of the narrative and again into his or her personal physique. by way of studying those particular well known heritage codecs, Landsberg indicates the original manner they impress ancient considering and convey old wisdom, prompting a reconsideration of what constitutes heritage and an knowing of the way historical past works within the modern mediated public sphere.
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Additional resources for Engaging the Past: Mass Culture and the Production of Historical Knowledge
Example text
Whatever criteria the user requires are allowed for but it is difficult to format this information in such a way that it can be easily retrieved. Attempts are made to establish a relationship between structural and selective information in museum documentation systems, although by its nature this information resists consistent classifications between structural and selective systems. The museum is a museological institution in which museum messages are created. One of the main museological determinants of the museum is that it represents a medium for transmitting certain messages and ideas.
2). A museum collection is a multilayered set of museum objects. Most frequently, it acts as a unit composed of individual objects, so that it accumulates and transfers the documentary value of museum objects to a higher level. 2 Overlapping of structural and functional analysis of a museum object (modification according to Tuđman 1983:72) a mere sum of museum objects, because by its very nature it may be enlarged or perhaps reduced in scope. It is a live organism, which in certain situations, when precisely defined subject-matter or related cultural and historical milieux are concerned, could play the role of a museum object, which viewed as a whole has the meaning and value of a document.
EXHIBITIONS AS COMMUNICATIVE MEDIA 41 As detailed at the outset, the exhibition elements of all shows involve making difficult choices and enlisting the co-operation and participation of many people. It is crucial to recognize that an effective exhibition is more than simply an idea, the objects and the installation. And as the following discussion will show, it is more than a collection of great art or anything else for that matter. An exhibition that communicates must educate and excite the mind and the senses; when communication is optimal it creates an `affect' among spectators and audiences.
Engaging the Past: Mass Culture and the Production of Historical Knowledge by Alison Landsberg
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