Download e-book for iPad: Interfacing with the Internet in Popular Cinema by Aaron Tucker (auth.)

By Aaron Tucker (auth.)

ISBN-10: 113738669X

ISBN-13: 9781137386694

ISBN-10: 1349481726

ISBN-13: 9781349481729

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The punishment for Dade’s Internet use was to be banned not only from this suburban utopia but also from the traditional nuclear family unit as well. The Net’s introduction of its protagonist is very similar: when we first meet Sandra Bullock’s character Angela Bennett, we see that she lives in a quiet suburban neighborhood in a full house. Yet, echoing Hackers, the camera begins with a wide shot of the neighborhood that slowly focuses in on a skylight in Bennett’s house that then pulls in tighter, invading the home as the SWAT team did, to settle on a prolonged shot of Bennett, surrounded by multiple computers, playing Wolfenstein.

Her Bank accounts. Her identity . . ” The lesson here is that, by inviting the Internet into the formation and maintenance of personal identity and records, Bennett is leaving herself horribly vulnerable to being erased.

In order to escape from these places, especially post-WWII, families began an exodus in hopes of curing the home from the ills of violence and depravity associated with cities. The suburbs then became a microcosm of conservative postwar value systems, a cliché that Robert Beuka in SuburbiaNation explains would backdrop sitcoms like Father Knows Best (1954–1960) and The Donna Reed Show (1958–1966), a set of THE CABLES UNDER, IN, AND AROUND OUR HOMES 33 mythologies and value systems that would center around G-rated perfect families, mildly living through familial and financial success.

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Interfacing with the Internet in Popular Cinema by Aaron Tucker (auth.)


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