By Inaya Rakhmani
ISBN-10: 1137548800
ISBN-13: 9781137548801
ISBN-10: 1137557206
ISBN-13: 9781137557209
This leading edge booklet considers the query of Islam and commercialisation in Indonesia, a majority Muslim, non-Arab state. Revealing the cultural heterogeneity at the back of emerging Islamism in a democratizing society, it highlights the case of tv creation and the id of its audience. Drawing from specific case stories from throughout islands within the assorted archipelagic kingdom, it contends that advertisement tv has democratised the connection among Islamic authority and the Muslim congregation, and investigates the responses of the heterogeneous heart classification in the direction of advertisement da’wah. via taking the case of industrial tv, the booklet argues that what's happening in Indonesia is much less regarding Islamic ideologisation than it's a symbiosis among Muslim heart type anxieties and the workings of marketplace forces. It examines the internet of relationships that hyperlinks Islamic expression, advertisement tv, and nationwide mind's eye, arguing that the commercialisation of Islam via nationwide tv discloses unrequited expectancies of equality among ethnic and non secular teams in addition to among regions.
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Extra info for Mainstreaming Islam in Indonesia: Television, Identity, and the Middle Class
Example text
In 2009, after losing the chairmanship, Paloh founded the National Democrat (Nasdem—Nasional Demokrat) political party. Hary Tanoesoedibjo, the owner of Media Nusantara Corporation (MNC), joined Paloh’s party in 2011. After his short alliance with Paloh in Nasdem, Tanoesoedibjo moved to the People’s Conscience Party (Hanura—Hati Nurani Rakyat) and ran for the 2014 presidency with retired army general Wiranto, almost running against Bakrie from Golkar. A common knowledge circulating among political activists is that there are tacit concessions between political parties and media owners, who are in many cases one and the same.
In practice, it has led to the stifling of diversity of television content in favour of business efficiency, which is true in the case of Islamic television programmes. Potency in attaining the largest market has become the rule of thumb for themes and formats replicated on a massive scale. 129). The commodification of Islamic symbols manifested itself in the standardised production processes and the creation of formulaic television shows common in general programming. 47). The New Order’s single state-broadcasting system had indeed evolved into a market-oriented television system, with more diverse programming in the market system.
Armando, A. (2014). The greedy giants: Centralized television in post-authoritarian Indonesia. The International Communication Gazette, 76(4–5), 390–406. Armstrong, K. (2000). The battle for God. New York: The Random House Publishing Group. Armstrong, K. (2014). Field of blood: Religion and the history of violence. USA: Random House LLC. , & Fealy, G. (2003). Local power and politics in Indonesia: Democratisation and decentralisation. Singapore: ISEAS Publishing. H. (2004). The new media monopoly.
Mainstreaming Islam in Indonesia: Television, Identity, and the Middle Class by Inaya Rakhmani
by Richard
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