By Dan Urian
ISBN-10: 0203985206
ISBN-13: 9780203985205
ISBN-10: 3718657090
ISBN-13: 9783718657094
The Jewish-Israeli theatre is a fancy and constructed approach within which the dispute with the Palestinians constitutes only one of the real elements in its repertoire; whereas the Palestinian theatre, either inside and out of doors of Israel, is being consolidated. This paintings brings jointly those methods via when it comes to the Palestinian subject because it appears to be like within the Jewish-Israeli theatre and by means of trying to represent the Palestinian theatre in most cases.
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Sample text
They had left their village following the “war of liberation”, as the 1948 war is described in the play. After ten years they returned to Israel to visit their previous birthplace on a symbolic day, the 15th of May (on 14 May 1948 the State of Israel was declared). The two Palestinians, amazed by all the development that had occurred in their ancient village during their absence, promise at the end of the play to inform their relatives outside Israel about the miracles and the wonderful projects in the Israeli Arab villages.
Theatrical activities in the late 1960s and beginning of the 1970s generally concentrated on the field of writing new original dramatic texts. This phenomenon cannot be isolated from the growth of Palestinian literature in Israel after the 1967 War, but unlike poetry and prose the dramatic text cannot be fully realized without staging. In this regard there were many difficulties, such as the lack of professional actors, and particularly actresses, directors and the mainly insufficient budgets. Plays staged in the first years after the war were mainly by amateur troupes functioning without funding and mostly in the centers of the Israeli Palestinian intelligentsia in Nazareth and Haifa.
Moreover, Palestinian theatre before 1948, like Palestinian prose, was not generally involved in the national struggle. Prose in general,9 let alone the theatre, was barely concerned with politics, and concentrated on didactic aims and entertainment. Direct involvement in the struggle was at that time typical only of poetry, which remained the dominant genre in Arab culture till the middle of the twentieth century. Palestinian poetry served as a weapon in the political struggle and was overwhelmingly concerned following the 1917 Balfour declaration, with the anti-Zionist and anti-British campaign.
Palestinians and Israelis in the Theatre by Dan Urian
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