By S. Schaschek
ISBN-10: 1137359382
ISBN-13: 9781137359384
ISBN-10: 1349472867
ISBN-13: 9781349472864
Repetition and seriality are inherent in pornography and is constitutive for its performance as a movie style, an undefined, and a space of gender experiences. by way of linking the varieties of the style to procedures of serial creation, intake, and dialogue, Schaschek questions the dominant assumptions approximately pornography and the steadiness of the style.
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Additional info for Pornography and Seriality: The Culture of Producing Pleasure
Sample text
Seriality is, I argue, in great parts responsible for both difficulties Stewart expressed in his statement. First, there is the problem of classification. Classification is essentially marked by decisions to include and exclude something according to criteria of similarity and variation, and therefore reveals the organizing function of seriality. Stewart’s confession that he would not be able to define the material he was asked to judge points to a similar difficulty faced by genre theorists in their attempt to “genrify” (Altman 1999, 70) certain films.
2010, 21). MacKinnon convincingly criticizes that pornography is not a closed-off universe but that it must be understood more broadly as an industrial practice in which “women had to be directly used to make [the pictures]” (1993a, 11). Her insight remains influential, given that feminist critics of pornography (including myself) “incorporate the accounts of porn performers in their discussion of the industry” (Boyle 2010a, 205). Yet MacKinnon’s ready equation of “words” (and also images) with “acts” constitutes, at the same time, her argument’s weakness, as it repeatedly lapses into the rhetoric of victimization.
In fact, pornography relies on a system that nurtures sexual excitement and anticipation and that can only be explained when considering the seriality of the genre. Umberto Eco argues that the function of seriality in genres is precisely that it “gives the public the sensation of knowing ahead of time that which it does not yet know and will know only at the moment” (1990, 90). The elusive character of sexual excitement, which constitutes a great part of pornography’s “meaning” but is so hard to frame, confronts film critics with a range of questions.
Pornography and Seriality: The Culture of Producing Pleasure by S. Schaschek
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