By Ronald L. Jackson II
ISBN-10: 0791466256
ISBN-13: 9780791466254
ISBN-10: 0791466264
ISBN-13: 9780791466261
ISBN-10: 1423755766
ISBN-13: 9781423755760
Scripting the Black Masculine physique lines the origins of Black physique politics within the usa and its modern manifestations in well known cultural productions. From early blackface cinema via modern portrayals of the Black physique in hip-hop song and picture, Ronald L. Jackson II examines how African American identities were socially developed, constituted, and publicly understood, and argues that renowned song artists and movie manufacturers usually are complicit with Black physique stereotypes. Jackson bargains a communicative viewpoint on physique politics via a mix of social medical and arts ways and gives probabilities for the liberation of the Black physique from its present ineffectual and paralyzing representations.
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Extra resources for Scripting the Black Masculine Body: Identity, Discourse, And Racial Politics in Popular Media
Example text
Gilpin’s defiance marked his association with a period of conscious resistance by Black actors to negative representation. I will discuss the character of Uncle Tom later in this chapter. S. federal government became interested in changing the legislation. In 1954, the Brown v. Board of Education decision legalized the desegregation of schools, a joyous moment of victory, especially since Blacks-only schools were known for being dilapidated and poorly funded. In 1955, James Meredith stood at the door of University of Mississippi and attempted admittance and was met with violent protests by Whites.
Board of Education decision legalized the desegregation of schools, a joyous moment of victory, especially since Blacks-only schools were known for being dilapidated and poorly funded. In 1955, James Meredith stood at the door of University of Mississippi and attempted admittance and was met with violent protests by Whites. Almost a year later, in 1956, Autherine Lucy attempted to enter the University of Alabama after the state of Alabama ordered the University to admit her, and she was met with an equal if not more harsh resistance and rioting, which caused her to be expelled by the board of regents for disruption.
Her significance, among the mulattoes discussed here, is that the jezebel character later became associated with stubborn, manipulative, lascivious Black women (Snead, MacCabe, & West, 1994). Naturally, the jezebel’s character profile is well-aligned with the mulatto’s sexually charged and devious nature, and later films like Kwyn Bade’s Loving Jezebel (1999), a depiction of a clearly racialized jezebel, would draw this connection just as critical theorists and feminists have been doing for years.
Scripting the Black Masculine Body: Identity, Discourse, And Racial Politics in Popular Media by Ronald L. Jackson II
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