By Philippa Berry, Andrew Wernick
ISBN-10: 0203130723
ISBN-13: 9780203130728
ISBN-10: 0415066387
ISBN-13: 9780415066389
ISBN-10: 0415066395
ISBN-13: 9780415066396
Through illuminating the notable affinity among the main leading edge features of postmodern idea and spiritual mystical discourse, Shadow of Spirit demanding situations the lengthy proven assumption that western concept is dedicated to nihilism.
This number of essays via the world over famous students explores the consequences of the fascination with the ``sacred,'' ``divine'' or ``infinite'' which characterizes a lot modern concept. It exhibits how those matters have surfaced within the paintings of Derrida, Baudrillard, Lyotard, Kristeva, Irigaray and others. reading the relationship among this postmodern ``turn'' and the present look for a brand new discourse of ethics and politics, it additionally stresses the contribution made by means of feminist suggestion to this unforeseen highbrow path.
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Extra info for Shadow of Spirit: Postmodernism and Religion
Example text
As if taking Walter Benjamin’s ‘The Work of Art in an Age of Mechanical Reproduction’ as his programmatic guide, Warhol sets up what he calls ‘The Factory’ in which artistic reproduction simulates industrial production. The fabricated work of art does not merely mimic the mass-produced object but actually becomes a commercial product whose worth is its exchange value. In Warhol’s art, Johns’ targets multiply in a flurry of silk-screened photographs, soup cans and Brillo boxes. Pop art is utterly superficial – it is all surface and no depth.
Lyotard’s comment is particularly helpful, for it indicates the way in which the postmodern inhabits the modern instead of constituting an era following the modern. Jean-Luc Nancy, ‘L’Offrande sublime’, Du Sublime, Paris, Berlin, 1988, p. 59. Maurice Blanchot, The Space of Literature, trans. Ann Smock, Lincoln, University of Nebraska Press, 1982, p. 244. Edmond Jabès, El, or the Last Book, vol. VII, The Book of Questions, trans. Rosmarie Waldrop, Middletown, Wesleyan University Press, 1984, p. 77.
40. It measures 95 3/8in × 313¼in. ), The Lyotard Reader, Oxford, Blackwell, 1989, p. 199. Lyotard interprets Newman’s paintings through Heidegger’s notion of Ereignis. At some points Lyotard associates the sublime with modernism and at other points with postmodernism. It is not always clear whether he intends the modern and postmodern sublimes to differ significantly. As will become apparent in what follows, I insist on an important difference between the effort to represent the unrepresentable in modernism and in postmodernism.
Shadow of Spirit: Postmodernism and Religion by Philippa Berry, Andrew Wernick
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