By Brian Larkin
ISBN-10: 0822341085
ISBN-13: 9780822341086
Media applied sciences have been brought to Nigeria via colonial regimes as a part of an try and form political topics and create sleek, city Africans. Larkin considers the creation of media in addition to electrical crops and railroads as a part of the broader infrastructural venture of colonial and postcolonial urbanism. targeting radio networks, cellular cinema devices, and the development of cinema theaters, he argues that what media grow to be in Kano is the result of technology’s stumble upon with the social formations of northern Nigeria and with norms formed through colonialism, postcolonial nationalism, and Islam. Larkin examines how media applied sciences produce the modes of relaxation and cultural kinds of city Africa via examining the move of Hindi movies to Muslim Nigeria, the rest practices of Hausa cinemagoers in Kano, and the dynamic emergence of Nigerian video motion pictures. His research highlights the various, unforeseen media varieties and practices that thrive in city Africa. Signal and Noise brings anthropology and media jointly in an unique research of media’s position in city lifestyles.
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Additional resources for Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria
Example text
This was another interracial rape, only this time it became a landmark because the accused were four white men and the victim was a black college student. The Time magazine story about the case embraced the "rapists are seedy loners" myth, while patting whites on the back for overcoming their racist legacy and achieving justice. Even the headline was self-congratulatory. PASSING THE TEST In a legal sense, it was four young, white Florida Tobacco Readers who were on trial last week in a sweltering Tallahassee courtroom.
As soon as the 28 Virgin or Vamp train arrived, nine of the black youths, aged thirteen to twenty, were arrested. The two women tried to run away but were cornered by the posse. 16 The nine black youths barely escaped a lynching, protected by the local sheriffs and the National Guard. Eventually, after a three-day trial in a packed courtroom, eight of them were sentenced to death for the rape by an all-white, male jury. The ninth, Roy Wright, was given life imprisonment because he was under fourteen.
Although the Martinsville Seven did not receive as much press attention as did McGee, their case became a further occa- Sex Crimes in the Press 33 sion for the leftist newspapers of the time to set black men against white women. In 1951, another notorious rape case occurred, this time in Florida. It involved two black men accused of raping a seventeen-year-old white housewife. ) These men were also sentenced to death, amid much publicity, but the sentence was reversed because, once again, no blacks had been allowed on the jury.
Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria by Brian Larkin
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