By D. Biltereyst, R. Vande Winkel, Roel Vande Winkel
ISBN-10: 0230340814
ISBN-13: 9780230340817
ISBN-10: 1137061987
ISBN-13: 9781137061980
ISBN-10: 1491671912
ISBN-13: 9781491671917
Oppression via censorship impacts the movie way more usually than the other mass media. together with essays through best movie historians, the publication deals groundbreaking historic learn on movie censorship in significant movie creation international locations and discover such leading edge topics as movie censorship and authorship, faith, and colonialism.
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Additional info for Silencing Cinema: Film Censorship around the World
Sample text
The Code had been revised several times, each time to reflect public taste and the realities of censoring in an age of expanding individual rights. Kicking the state censors while they were down seemed a good idea to one frustrated Maryland exhibitor. To test the constitutionality of censorship at its most basic level, Ronald Freedman decided to openly show a nonsubmitted film to his patrons in 1962. ” Losing every round in the Maryland courts, three years later Freedman got the Supreme Court justices to agree to hear his case (since Burstyn, the Court had not turned down a single movie censorship case).
Most studio-made movies had little trouble in getting through the state offices. 22 LAURA WITTERN-KELLER The American Movie, World War II, and the Cold War American moviemakers were eager to support the war effort after the 1941 Pearl Harbor attack, and knowing the immense influence of movies, the federal government was only too happy to have their help. 24 The answer was the Bureau of Motion Pictures (BMP), a division of the Office of War Information (OWI). 27 In addition to following the dictates of the PCA, then, America’s moviemakers willingly cooperated with official government positions during World War II, abiding (for the most part) by the BMP code.
Conclusion What killed governmental movie censorship? It was a combination of factors. As we have seen, censorship was born of a society that thought in terms of rights as belonging to the community, not the individual. As that idea morphed during and after World War II and the United States entered what has been called the “rights revolution,” communitarian ideals gave way. An individual-oriented society is not likely to accept governmental interference with entertainment, art, and other intellectual activities.
Silencing Cinema: Film Censorship around the World by D. Biltereyst, R. Vande Winkel, Roel Vande Winkel
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