By Caroline Joan S. Picart
ISBN-10: 1137101490
ISBN-13: 9781137101495
ISBN-10: 1349295973
ISBN-13: 9781349295975
ISBN-10: 2672712913
ISBN-13: 9782672712917
Making use of a number of ways to envision how "monster-talk" pervades not just pop culture but additionally public coverage via movie and different media, this booklet is a "one-stop store" of types for college kids and teachers using quite a few ways and media within the learn of "teratologies," or discourses of the gigantic.
Read or Download Speaking of Monsters: A Teratological Anthology PDF
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Extra info for Speaking of Monsters: A Teratological Anthology
Sample text
2 This scenario, moreover, is predicated on the inherently conflicting tendencies—of being waste and being god—that are condensed in the creature from the start. It is, therefore, a necessary condition for the success of the tale that the creature be repellent. One method for composing fantastic beings is fusion. 3 The particular affective significance of these admixtures depends to a large extent on the specific narrative context in which they are embedded. But apart from fusion, another means for articulating emotional conflicts in horror films is fission.
1) and the various werewolves, cat people, gorgons, and other changelings of the genre are immediate examples. In the horror film, temporal fission—usually marked by shape changing—is often self-consciously concerned with repression. In Curse of the Werewolf one shot shows the prospective monster behind the bars of a wine cellar window holding a bottle; it is an icon of restrained delirium. The traditional conflict in these films is sexuality. 1 John Barrymore as Dr. Henry Jekyll/Mr. Edward Hyde in Dr.
Where social roles are clearly bounded and noncontradictory, beneficent powers tend to be vested in centralized authorities, such as priests. , as witches). [. ] TO WA R D A S O C I A L TH E O R Y O F T H E HO R R O R F I L M 21 Perceptions of malevolent and antisocial powers, then, may emerge from the ill-defined, contradictory lines of the social structure where networks of authority and allegiance are unclear, and the categories that arouse the greatest fear, interest, and sense of mystery are the ambiguous ones.
Speaking of Monsters: A Teratological Anthology by Caroline Joan S. Picart
by Edward
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