Download e-book for iPad: Technics and Time, 2: Disorientation (Meridian: Crossing by Bernard Stiegler

By Bernard Stiegler

ISBN-10: 0804730148

ISBN-13: 9780804730143

Disorientation is the 1st ebook in English of the second one quantity of Technics and Time, within which French thinker Bernard Stiegler engages in an in depth discussion with Husserl, Derrida, and different philosophers who've dedicated their energies to technics, equivalent to Heidegger and Simondon.The author's vast motive is to answer Western philosophy's historic exclusion of technics and methods from its metaphysical questionings, and in so doing to rescue serious and philosophical considering. for a few years, Stiegler has explored the origins and philosophical, moral, and political stakes of an international strategy he calls "the business temporalization of consciousness." the following, demonstrating that technology—including alphabetical writing—is reminiscence, he argues that via new applied sciences of retention and inscription we now have come to stay in a global the place time devours area, a disoriented international within which we've misplaced our bearings. Immersed within the multimedia of an over-connected international, with time and area as we all know them abolished, we not locate "cardinal points" to lead us and should also be led the place we don't desire to pass. We needs to for that reason arrange to confront new spheres of ideological keep an eye on and detect new chances within the electronic environment.

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Additional resources for Technics and Time, 2: Disorientation (Meridian: Crossing Aesthetics)

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On the other hand, all of that should be framed as a matter of instrumentality and of “the time of invention,” as a retentionalprotentional structure of the “inventor”; that is, as a test of the technologically accessible past that is retention as ideal protention. On one hand, then: for Marcel Detienne writing is a technology: In order to note, to record, to expand the limits of memory, is not the most insignificant act that of writing, which is quickly normalized? We have chosen another hypothesis: that writing, as a social practice, is a manner of thinking, a cognitive activity; that it engages intellectual activities.

Both orthographic writing and the photograph are questions of time, significantly emanating from the photo, as Derrida points out in Psyché: In the technical modernity of its operation photographic instantaneousness is only the most striking metonymy of a much older instantaneousness. So much older that it is never a stranger to the possibility of tekhne- in general. (Derrida }u[, uu) This conjugation did not wait for the photograph to have an essential rapport with reproductive technics, to technics as such.

The particular detail through which it is basically never given but foreseen is a detour for the return of the interminable: “we say ‘to develop a photograph’; but what the chemical action develops is undevelopable, an essence (of a wound), what cannot be transformed but only be repeated under the instances of insistence (of the insistent gaze)” (ku). The punctum is irresistible—and unnamable. This impossibility marks its true disorder, the sole truly moving one: “the studium is ultimately always coded, the punctum is not.

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Technics and Time, 2: Disorientation (Meridian: Crossing Aesthetics) by Bernard Stiegler


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