By Helen Hanson, Catherine O'Rawe
ISBN-10: 0230282016
ISBN-13: 9780230282018
ISBN-10: 1349301442
ISBN-13: 9781349301447
Those essays hint the femme fatale throughout literature, visible tradition and cinema, exploring the ways that deadly femininity has been imagined in several cultural contexts and historic epochs, and relocating from legendary girls reminiscent of Eve, Medusa and the Sirens through historic figures resembling Mata Hari to deadly ladies in modern cinema.
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Extra info for The Femme Fatale: Images, Histories, Contexts
Sample text
The second of these includes the creation of Eve and proceeds seamlessly to the story of the Fall. I will argue in this essay that the first account of Creation also contributes to our understanding of the nature of the first femme fatale, although how it does so is not immediately apparent. 4b–25 belongs to the Jahwist (or J) source, so called from the German spelling of the name it uses for God, YHWH (or Yahweh), usually translated into English as ‘the Lord God’. The Priestly account, which uses the name Elohim for God, 3 describes the creation of the natural world, including humankind, as the result of a divine performative utterance.
In the Homeric text, and its modern interpretations by philosophers and cultural analysts, we find the precise description of the patriarchal– bourgeois–capitalist phallocentric model of the one human subject – Man – whose becoming exacts a price of fear and longing, projected onto the allure of, and deflected by the horror at, the fatal woman. The fate of women is then to have to live out the stories and social laws of this system, which its cultural schemata encode as the matching images of woman as fatal temptress or domesticated wife.
A. (2003), ‘Close-Up: Scale and Detail in the Cinema’, in differences: A Journal of Feminist Cultural Studies, 14:3, 89–111. Engh, B. (1997), ‘Adorno and the Sirens: Telephono-graphic Bodies’, in L. C. Dunn and N. A. Jones (eds), Embodied Voices: Female Vocality in Western Culture, Cambridge and New York: Cambridge University Press, pp. 120–35. Ettinger, B. (1992), ‘Matrix and Metramorphosis’, in G. ), Trouble in the Archives, special issue of differences, 4:3, pp. 176–208. Ettinger, B. (2001), ‘Wit(h)nessing Trauma and the Matrixial Gaze: From Phantasm to Trauma, from Phallic Structure to Matrixial Sphere’, Parallax, 7:4, 89–114.
The Femme Fatale: Images, Histories, Contexts by Helen Hanson, Catherine O'Rawe
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