By Matthew J. Morgan (eds.)
ISBN-10: 0230101615
ISBN-13: 9780230101616
ISBN-10: 1349375349
ISBN-13: 9781349375349
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Additional resources for The Impact of 9/11 on the Media, Arts, and Entertainment: The Day that Changed Everything?
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Paterson, “United States Intervention in Cuba, 1898: Interpretations of the Spanish-American-Cuban-Filipino War,” History Teacher 29, no. 3 (1996): 341–361. 4. Daniel M. Smith, “Robert Lansing and the Formulation of American Neutrality Policies, 1914–1915,” Mississippi Valley Historical Review 43, no. 1 (1956): 59–81; J. A. Thompson, “American Progressive Publicists and the First World War, 1914–1917,” Journal of American History 58, no. 2 (1971): 364–383. 5. Scott D. Sagan, “The Origins of the Pacific War,” Journal of Interdisciplinary History 18, no.
16. I explore the ideological consequences of the narrative in much greater detail in: Jackson, Writing the War on Terrorism; Jackson, “Security, Democracy and the Rhetoric of Counter-Terrorism”; Jackson, “Constructing Enemies”; and Richard Jackson, “Playing the Politics of Fear: Writing the Terrorist Threat in the War on Terrorism,” in G. ), Playing Politics with Terrorism: A User’s Guide (New York: Columbia University Press, 2007). 17. Albert S. Yee, “The Causal Effects of Ideas on Politics,” International Organization 50, no.
Carolyn L. Hsu, “Political Narratives and the Production of Legitimacy: The Case of Corruption in Post-Mao China,” Qualitative Sociology 24, no. 1 (2001): 25–54. Moira Peelo and Keith Soothill, “The Place of Public Narratives in Reproducing Social Order,” Theoretical Criminology 4, no. 2 (2000): 131–148. E. Sharpe, 2003). Karl Weick, Sensemaking in Organizations (Thousand Oaks, CA: Sage, 1995). Mark Turner, The Literary Mind: The Origins of Thought and Language (New York: Oxford University Press, 1996).
The Impact of 9/11 on the Media, Arts, and Entertainment: The Day that Changed Everything? by Matthew J. Morgan (eds.)
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