The Zoo and Screen Media: Images of Exhibition and Encounter - download pdf or read online

By Michael Lawrence, Karen Lury

ISBN-10: 113753561X

ISBN-13: 9781137535610

ISBN-10: 1137543426

ISBN-13: 9781137543424

This ebook is the 1st serious anthology to envision the arguable historical past of the zoo via targeting its shut dating with reveal media histories and applied sciences. person chapters deal with the illustration of zoological areas in classical and modern Hollywood cinema, documentary and animation, beginner and avant-garde movie, renowned tv and on-line media. The Zoo and display Media: photos of Exhibition and Encounter presents a brand new map of twentieth-century human-animal kinfolk by means of exploring how the zoo, that sleek gear for providing residing animals to human audiences, has itself been represented throughout a various diversity of relocating picture media.

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Extra resources for The Zoo and Screen Media: Images of Exhibition and Encounter

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MEMORY Thus, the vitality and behaviours of the beasts, their incessant animation, their role as multi-sensory spectacles, and the ways in which they displayed or threatened reciprocal behaviours are a significant aspect of the value of archival zoo film. And yet, this is not all archival footage can reveal. Without re-treading old ground, zoo film complements photography in giving us a window into the spaces and individuals of the past. Their images are etched here forever and, in this light, archival footage constitutes a mode of remembrance.

1935, 1948, c. 1958). The c. 1980 film likewise grants access to the image of a creature long departed from the Zoo but of much significance to the identity of the place during their period of captivity. Arriving in 1963, white tigers came to be emblematic of Bristol Zoo in the 1960s and 1970s. Though they were approaching the end of their lives at the Zoo (for their conservation value had been, for various reasons, negated by the early 1980s (Flack 2014: 94–5)), archival film not only records their presence at Bristol but also points, not least through the film’s very existence, to the significance attached to the creatures.

The elephant, Judy, moves around her bath while her keeper uses a bucket and brush to wash her down. The two beings move around each other, reacting to each other’s actions as they do so (Footage c. 1935). In the 1948 film a keeper and two leopards can be seen engaged in an extended moment of touch: the cats move towards the keeper and nuzzle and lick his hands as he strokes their heads. (Footage 1948). Such moments illustrate that even in captive contexts, humans and animals are entwined in a process that Donna Haraway calls ‘becomingwith’, where interspecies relationships are mutually configured (2008).

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The Zoo and Screen Media: Images of Exhibition and Encounter by Michael Lawrence, Karen Lury


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