Get Cinema Wars: Hollywood Film and Politics in the Bush-Cheney PDF

By Douglas Kellner

ISBN-10: 1405198249

ISBN-13: 9781405198240

Cinema Wars explores the intersection of movie, politics, and US tradition and society via a daring serious research of the movies, television exhibits, and documentaries produced within the early 2000s

* deals a thought-provoking depiction of Hollywood movie as a contested terrain among conservative and liberal forces

* movies and documentaries mentioned contain: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and different Michael Moore documentaries, among others

* Explores how a few movies during this period supported the Bush-Cheney regime, whereas others criticized the management, overtly or otherwise

* Investigates Hollywood’s remedy of quite a number sizzling issues, from terrorism and environmental quandary to the Iraq struggle and the tradition wars of the 2000s

* exhibits how Hollywood movie within the 2000s delivered to existence a colourful array of social protest and helped create cultural stipulations to go with Barack Obama

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Additional info for Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era

Example text

The film cuts to his wife’s waking up in the morning. After a domestic interlude which presents Gordy as a loving husband and father, the family drops off the son at the doctor’s for a check-up. As Gordy arrives to pick them up at a café, a bomb explodes, killing his wife and son and triggering a rightwing revenge fantasy narrative. The café was situated next to the Colombian embassy and Colombian terrorists set the bomb to send the message that the US should not interfere in Colombia’s affairs.

The plot features a fighter pilot, Lt. Chris Barnett (Owen Wilson), disgruntled because he is sent to Bosnia to police Introduction: Film, Politics, and Society 25 a situation that is unclear. Barnett is depicted as ready to resign because he hasn’t seen any exciting action. His commander (Gene Hackman) sends Barnett on a spy mission during which he veers off to photograph suspicious Serb activity, is shot down, and miraculously survives despite having a sharp-shooter assassin and the Serb army after him.

The film cuts to his wife’s waking up in the morning. After a domestic interlude which presents Gordy as a loving husband and father, the family drops off the son at the doctor’s for a check-up. As Gordy arrives to pick them up at a café, a bomb explodes, killing his wife and son and triggering a rightwing revenge fantasy narrative. The café was situated next to the Colombian embassy and Colombian terrorists set the bomb to send the message that the US should not interfere in Colombia’s affairs.

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Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era by Douglas Kellner


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