By Anna Bentkowksa-Kafel, Trish Cashen, Hazel Gardiner
ISBN-10: 1841501689
ISBN-13: 9781841501680
ISBN-10: 1841509809
ISBN-13: 9781841509808
In many years earlier, artists anticipated a destiny populated through technological wonders akin to hovercraft cars and voice-operated pcs. this present day we slightly realize those futuristic landscapes that endure simply moderate resemblance to a regular truth. Futures previous considers electronic media’s transformative impression at the paintings global from a viewpoint of thirty years’ worthy of hindsight. Herein a individual staff of contributors—from researchers and academics to curators and artists—argue for a extra profound realizing of electronic tradition within the twenty-first century.This unparalleled quantity examines the disparities among past visions of the way forward for electronic artwork and its present kingdom, together with frank debts of promising tasks that did not carry and tests of extra humble initiatives that experience not just survived, yet flourished. Futures earlier is a glance again on the frenetic historical past of automated paintings that issues the way in which towards a promising destiny.
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Additional info for Futures Past: Thirty Years of Arts Computing (Intellect Books - Computers and the History of Art)
Example text
Qxd 1/22/07 6:23 PM Page 38 Fig. 4. 1977. Photo ©Paul Brown. 27 Assisted by Briscoe, Scrivener built all of the computer hardware and programmed it for his Higher Diploma Show work. (fig. 5) The Slade’s course ran until 1981. 38 Futures Past Efforts in educational institutions impacted upon technological developments in the wider world. As the polytechnics had the equipment and the practitioners within had the expertise, they took on commercial work for advertising agencies and clients such as BBC Television.
Another ‘fork’ is started here. If the system comes back with ‘false’, the program again jumps back to line 13. If, during the process of ‘decrementing’ (which is indicated by ‘–’), the variable ‘strength’ is already 0 (lines 9, 10) and if the statement is ‘true’, the program stops again. Otherwise, the program produces the number 1 as an output and continues on in line 13. The string continues to be executed until every process by means of decrementing goes to zero. This only occurs, however, if a positive value was input on the command line.
Despite this, the fork instruction triggers the first fork process. If the system determines that ‘not fork = true’, then the program goes to the first loop. The program stops here (‘exit’, line 6), if the variable ‘strength’ has already become 0 (lines 9, 10) through a ‘decrement’ process (indicated by ‘–’). In this case, a 0 is sent to the standard output (line 7) and the execution of the program continues from line 8. Back in line 5, if the system determines that ‘not fork’ is false, the program jumps to line 13 (‘goto […]’).
Futures Past: Thirty Years of Arts Computing (Intellect Books - Computers and the History of Art) by Anna Bentkowksa-Kafel, Trish Cashen, Hazel Gardiner
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