By Wheeler Winston Dixon
ISBN-10: 3319404806
ISBN-13: 9783319404806
ISBN-10: 3319404814
ISBN-13: 9783319404813
This ebook discusses the cave in and transformation of the Hollywood motion picture desktop within the twenty-first century, and the concomitant social cave in being felt in approximately each element of society. Wheeler Winston Dixon examines key works in cinema from the period of late-stage capitalists, reading Hollywood movies and the present wave of cinema constructed outdoor of the Hollywood approach alike. Dixon illustrates how video clips and tv courses throughout those areas have followed, mirrored, and generated a society in difficulty, and with it, a difficulty for the cinematic itself.
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Additional resources for Hollywood in Crisis or: The Collapse of the Real
Example text
And then, of course, there’s also this—the systems that James sells are, by his own admission, essentially worthless. There’s really no protection at all. In the end, The Purge distinguishes itself as an effective piece of pop socio-political commentary that doesn’t really push its message, or try to oversell it. It wants to be a thriller, and it hits all the bases with professional ease in that department, but it’s not really interested in violence for its own sake, or in amping up the gore to please diehard splatter fans.
Pictures of the family fall off the wall in the middle of the night with a terrific crash. Whispering voices are heard in the distance. A haunted music box is discovered by one of the children. There’s also a demonic doll in the house, which really should have been thrown out a long time ago, but in a movie such as this, it’s an essential part of the mise en scene. But soon, things take an even more serious turn as whatever-it-is starts pulling the children out of bed and throwing them around the room, lunging at them from behind closed doors, and locking them into closets.
CHAPTER 3 The New Hollywood Economy Abstract Today, production expenses in Hollywood have gone through the roof, and yet the demand for escapism remains as strong as ever. For the movies thrive on such fantasies—whether large-scale disaster films, or smaller scale, more opportunistic work. Some people get into the movie business because they have a passion for film. But as mainstream films become ever more expensive, routinely costing $100,000,000 or more simply to produce, it seems that the old system of making movies is broken.
Hollywood in Crisis or: The Collapse of the Real by Wheeler Winston Dixon
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