McQueen's Machines: The Cars and Bikes of a Hollywood Icon - download pdf or read online

By Matt Stone

ISBN-10: 0760338957

ISBN-13: 9780760338957

No different Hollywood famous person has been so heavily associated with vehicles and motorcycles, from the 1968 Ford Mustang GT Fastback he drove in [i]Bullitt[/i] (in the best motor vehicle chase of all time) to the Triumph motorbike of [i]The nice Escape[/i]. [i]McQueen’s Machines[/i] offers readers a close-up examine the autos and bikes McQueen drove in videos, these he owned, and others he raced. With a foreword by means of Steve’s son, Chad McQueen, and a wealth of information about of the star’s racing occupation, stunt paintings, and motor vehicle and motorbike accumulating, [i]McQueen’s Machines[/i] attracts a desirable photograph of 1 oversized man’s riding ardour. Now in paperback.

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Extra info for McQueen's Machines: The Cars and Bikes of a Hollywood Icon

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We were sitting in the front part of my bookstore, the door wide open. I looked at the spines of the books lining the walls, a cascade of color and print. I glanced out the window at the light and tops of trees and buildings. I could hear people talking as they walked along the street below. And the smell, I could smell the country fragrances mixed with gasoline vapors the breeze carried into that room.

As I said, attending to one’s breath and counting inhalations and exhalations can be quite a project. One loses count. One counts robotically; I once got up to thirty-six before noticing. The deal is to notice the distraction and to return to one. The heart of the discipline: notice and start over. Turns out there are three principal variations on distraction. The first is to notice one has been distracted and then to blame the environment. ” Of course to get into ascribing responsibility for the distraction is simply a meta-distraction.

A priest named Claude Dahlenberg gave the small group collected there that morning the basics. We were taught how to sit on the traditional pillow, the zafu, which was small and round and, in those days, always stuffed with kapok, a fibrous material that looked a bit like raw cotton. We were shown how to place our bottoms on the front half of the pillow, which caused our legs to naturally fall forward, inclining our knees toward the ground. For those of us able to get our knees all the way to the floor, maybe three of the seven there for the class, this created a triangular base that supported the torso, which we were told should be held upright.

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McQueen's Machines: The Cars and Bikes of a Hollywood Icon by Matt Stone


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