By James Curran, David Morley
ISBN-10: 0203509617
ISBN-13: 9780203509616
ISBN-10: 0415317045
ISBN-13: 9780415317047
ISBN-10: 0415317053
ISBN-13: 9780415317054
Containing new considering and unique surveys, MediaВ & Cultural Theory brings jointly prime foreign students to handle key matters and debates inside media and cultural studies.
Through using modern media and picture texts reminiscent of Bridget Jones’ Diary and The Lord of the Rings trilogy, and utilizing case reviews of america and the united kingdom after September eleventh, James Curran and David Morley research principal subject matters including:
- media representations of the recent lady in modern society
- the production of self in way of life media
- the nature of globalization
- the upward thrust of electronic actors and media.
Ideal as a path reader, with each one essay masking a distinct significant region or increase in unique examine, MediaВ & Cultural Theory is international in its achieve. via its engagement with huge questions, it's a useful publication that may be utilized to the experiences of media and cultural reviews scholars the English-speaking international over.
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Extra info for Media & cultural theory
Example text
I have discussed these themes more fully in Bill Schwarz (2004) ‘Media times/ historical times’ Screen 45(2). And see too the chapter in this volume: ‘Media and conversation, conversation as media’. Some of the more immediately political consequences, developing the insights of Benedict Anderson, can be found in Depew and Peters (2001). H. (1969) What is History? Harmondsworth: Penguin. Clark, Manning (1976) A Discovery of Australia, Sydney:Australian Broadcasting Commission. The ‘poetics' of communication 29 Cohen, Stanley (2001) States of Denial: Knowing about Atrocities and Suffering, Cambridge: Polity.
Hollywood continues to dominate the import markets of Europe, Asia and Latin America, and now has a significant presence in Africa – and besides the USA, only India and China are net exporters of film. While the USA controls 80 per cent of the European film market, Europe only gets 2 per cent of the US market. In fact, world trade in TV and film is still largely dominated by producers only one of whom – Sony – is neither AngloAmerican nor European. Glocalisation One of the limitations of the original model of cultural imperialism is that it takes no account of the strategies of ‘glocalisation’ of their products now frequently adopted by cultural exporters.
It stresses comfort and convenience – and ease – and it generates pleasure for the masses. … We are Karl Marx’s dream, and his nightmare. 4 Of course, we need not take Major Peters’s bumptious declarations at face value. As Immanuel Wallerstein reminds us, this kind of assertion can also be read symptomatically, as an index of anxiety about US claims on power. As he puts it ‘We [Americans – DM] have spent the last 30 years insisting very loudly that we are still hegemonic and that everyone needs to continue to acknowledge it.
Media & cultural theory by James Curran, David Morley
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