By Jane Stokes
ISBN-10: 031222768X
ISBN-13: 9780312227685
This energetic textual content compares diverse media--film and television--in diverse countries--Britain and the US--in an try to chart the altering courting among them and their relative prestige within the cultural sphere. Integrating historic with textual research in a fruitful and wide-ranging demeanour, it focuses really at the which means of tv by means of exploring the medium's building and illustration within the rival cultural expertise of movie. The creation takes the reader from the discovery of tv to the current day, then the complicated courting among tv and movie is explored intimately.
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Additional resources for On Screen Rivals: Cinema and Television in the United States and Britain
Example text
The cultural construction of television in the movies is the product of economic and cultural 52 011 Screen Rivals phenomena. We have discussed the chan斟ng fortunes in the between film and television in Britain and the US above. Television has been, at various times, cinema's rival and its all多 a competitor and a colleague. It is no wonder, then, that television has been portrayed in many different lights by the cinema. In the chapters that follow 1 inves位gate some of the transformations in the idea of television put forward by films from Britain and Am erica.
The first exhibitions of television occurred at a 位me when the dream of the modern still fired the popular imagina說on. The idea of a future world better than the past, informed by scientific advance and improved by invention, was a fertile one at the begiru由19 of this centu可~ Early commenta呵 tors on television identi句T television as an important stage in human endeavor, and hail its inventors as heroes. Books and magazines purporting to explain television to 'every man' and to the 'amateur' tIourished during the 1920s and 30s (see, for example, Dinsdale, 1928; Larner, 1928; Moseley and Barton Chapple, 1930; Moseley and McKa予 1936).
Edward Sutherland, 1933), like the Bri位sh films discussed above, shows television as 缸1 entertainment medium 自rst and foremos t. The Paramount Studios' comedy vehicle for W. c. Fields also features Edmund Breese as Dr Wong, the creator of the 'radioscope' , or 'televisor'. Dr Wong is selling the rights to hls new inven位on and has invited potential bidders to the International House Hotel in Wu-Hu, China, to see a demonstration. Intemational House employs television as a narrative device to motivate the assembly of some, and to present the performances of some more, v缸iety and radio stars.
On Screen Rivals: Cinema and Television in the United States and Britain by Jane Stokes
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