By J. P. Telotte, Gerald Duchovnay
ISBN-10: 0415887194
ISBN-13: 9780415887199
While movie and tv appear to be heavily allied display media, our characteristic motion pictures and tv sequence have seldom been effectively tailored throughout these monitors. in reality, instead of functioning as portals, these allied media frequently appear, particularly actually, monitors that filter whatever that made the resource paintings so well known in its unique shape. ameliorations in price range, working instances, forged, viewing conduct, monitor dimension and form all come into play, and this volume’s target is to trace a few well known texts during their adaptive trips around the monitors so one can caricature the workings of that cross-media model. For its particular examples, the amount attracts on a unmarried genre—science fiction—not in basic terms since it is without doubt one of the most well liked at the present time in both movie or tv, but additionally since it is arguably the main self-conscious of latest genres, and hence person who most manifestly frames the phrases of those technological diversifications. The essays integrated right here mine that reflexive personality, in either hugely winning and in failed efforts at cross-media adaption, to aid us comprehend what movie and tv in achieving in screening technological know-how fiction, and to bare a number of the key concerns interested in all of our efforts to navigate a few of the monitors that experience develop into a part of modern culture.
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Extra info for Science Fiction Film, Television, and Adaptation: Across the Screens
Example text
New York Times 20 Nov. 1949. 63. Gunning, Tom. ” Early Cinema: Space, Frame, Narrative. Ed. Tomas Elsaesser. London: BFI, 2008. 56–62. Hawes, William. Live Television Drama, 1946–1951. Jefferson: McFarland, 2001. Henderson, Jay Alan. ” Ultra Filmfax: The Magazine of Unusual Film and Television 69–70 (1998–99): 56–63. The Legendary Lydecker Brothers. Lexington: Createspace, 2010. Humbert, Mike. ”
Newspaper entertainment pages celebrated the adaptation with half- and three-quarter-page promotional features that combined scene stills with comic strip renderings. The characters—Flash Gordon (Buster Crabbe), Dale Arden (Jean Rogers), Dr. Zarkov (Frank Shannon), and the rest— were scripted as closely as possible to their print counterparts, guaranteeing recognition across media (Backer 23–25). Costumes were nearly exact reproductions of Alex Raymond’s newsprint originals, even featuring the 16 Cynthia J.
New York: Edward Mellen, 2009. 13–24. Oboler, Arch. Ivory Tower and other Radio Plays. Chicago: Willam Targ. 1940. Parish, James Robert. The Great Movie Series. , 1972. Rainey, Buck. Serials and Series: A World Filmography, 1912–1956. Jefferson: McFarland, 1999. Robinson, Murray. ” Collier’s Magazine 5 Jan. 1952. 31. Stedman, Raymond William. The Serials: Suspense and Drama by Installment. Norman: U of Oklahoma P, 1971. Telotte, J. P. Replications: A Robotic History of the Science Fiction Film.
Science Fiction Film, Television, and Adaptation: Across the Screens by J. P. Telotte, Gerald Duchovnay
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