By Lynda Nead
ISBN-10: 0203135474
ISBN-13: 9780203135471
ISBN-10: 0203177282
ISBN-13: 9780203177280
ISBN-10: 0415026784
ISBN-13: 9780415026789
Somebody who examines the background of Western artwork needs to be struck by means of the superiority of pictures of the feminine physique. greater than the other topic, the feminine nude connotes `art'. The framed photograph of a feminine physique, held on the partitions of an artwork gallery, is an icon of Western tradition, a logo of civilization and accomplishment. yet how and why did the feminine nude gather this status?
The lady Nude brings jointly, in a wholly new method, research of the historic culture of the feminine nude and dialogue of contemporary feminist artwork, and via exploring the ways that applicable and unacceptable photos of the feminine physique are produced and maintained, renews contemporary debates on excessive tradition and pornography.
The girl Nude represents the 1st feminist survey of the main major topic in Western paintings. It finds how the feminine nude is now either on the centre and on the margins of excessive tradition. on the centre, and inside artwork ancient discourse, the feminine nude is visible because the visible end result of enlightenment aesthetics; on the area, it hazards wasting its repectability and spilling over into the obscene
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Extra resources for The Female Nude: Art, Obscenity and Sexuality
Sample text
Plato argues that objects that we encounter in sensory experience are mere tokens or echoes of absolute forms which lie beyond the reach of our senses and beyond physical experience. The basic set of distinctions that is established through the Platonic system – between the ideal and the actual, between mind and body, between form and matter – also forms the framework of Enlightenment thought. 29 As body we are unable to make basic distinctions between self and world, between the orders of the human and the natural.
Uncertainty: 50 Kristeva describes abjection in terms of ambiguity and [It is] not lack of cleanliness or health that causes abjection but what disturbs identity, system, order. What does not respect borders, positions, rules. 51 For Kristeva, the most significant border is that between the subject and the object, the distinction between the inside and the outside of the body. Subjectivity is organized around an awareness of this distinction and the sense of the body as a unified whole, defining the form and limits of corporeal identity.
Traditionally, the sublime has been characterized as a masculine category. For Kant and other eighteenth-century writers on aesthetics, the sublime and the beautiful are clearly gendered. Whereas the beautiful is associated with feminine characteristics, the sublime is seen to be characterized by masculine traits. 41 But in the light of the relationship between the sublime and the unbounded female body, we arrive at a more subtly nuanced understanding of the gendering of aesthetics. The sublime is not simply a site for the definition of masculinity but is also where a certain deviant or transgressive form of femininity is played out.
The Female Nude: Art, Obscenity and Sexuality by Lynda Nead
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