By Robert J. Norrell
ISBN-10: 0195073452
ISBN-13: 9780195073454
ISBN-10: 0195304527
ISBN-13: 9780195304527
In The apartment I stay In, award-winning historian Robert J. Norrell deals a really masterful chronicle of yankee race kinfolk over the past 100 and fifty years.
This scrupulously reasonable and insightful narrative--the so much bold and wide-ranging historical past of its kind--sheds new gentle at the ideologies, from white supremacy to black nationalism, that experience formed race kin because the Civil conflict. Norrell argues that it really is those ideologies, greater than politics or economics, that experience sculpted the panorama of race in the United States. starting with Reconstruction, he exhibits how the democratic values of liberty and equality have been infused with new that means via Abraham Lincoln, in basic terms to turn into meaningless for generations of African american citizens because the white supremacy move took form. the guts of the booklet paints a bright portrait of the lengthy, usually harmful fight of the Civil Rights move to beat a long time of permitted inequality. Norrell deals clean value determinations of key Civil Rights figures and dissects the information of racists. He bargains notable new insights into black-white background, watching for example that the Civil Rights circulate rather begun as early because the Thirties, and that opposite to a lot contemporary writing, the chilly battle was once a setback instead of a lift to the search for racial justice. He additionally breaks new flooring at the position of pop culture and mass media in first selling, yet later assisting defeat, notions of white supremacy. although the fight for equality is much from over, Norrell writes that this present day we're nearer than ever to gratifying the promise of our democratic values. The condo I stay In offers readers the 1st complete knowing of ways a long way we've come.
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Extra info for The House I Live In: Race in the American Century
Sample text
African Americans’ morality was treated with great condescension: Black men were portrayed as predatory, black women as promiscuous, and black marriages as devoid of fidelity. Endless jokes alleged blacks’ compulsion for chicken thievery and their affinity for mules. ⁴³ One syndicated columnist had an especially wide influence on smalltown newspapers. “Bill Arp” was the pen name of Charles Henry Smith, whose column appeared in perhaps half of all southern weeklies and many of the larger city dailies.
They had seen, conversely, the ways in which American nationalism had been defined effectively as “northern nationalism,” the antithesis of southern life. Southerners had long since felt a keen consciousness of their geographical unity, a common aspect of ethnic nationalism. In the s and s, they made quick work of the creation of myths, which always support ethnic nationalism. They defined themselves by their common Anglo-Saxon “racial” blood, ignoring altogether their much more varied genetic inheritance.
Minstrel shows remained the most popular form of national touring entertainment until the s, when the “vaudeville” variety show emerged. Vaudeville automatically adopted the minstrel characters. In the s, Zip Coon became a more dangerous, razor-wielding persona, and all African Americans were presented as chicken stealing, promiscuous, and habitually violent. The main musical feature became the “coon song,” which featured a bright melody and relentlessly racist lyrics. ” and the perennial favorite, “All Coons Look Alike to Me,” written by an African-American composer.
The House I Live In: Race in the American Century by Robert J. Norrell
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