By Mark Anthony Neal
ISBN-10: 1135204624
ISBN-13: 9781135204624
Publish yr note: First released in 1999
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What the tune Said is a booklet approximately groups lower than siege, but in addition groups engaged in quite a few types of resistance, institution-building and daily pleasures. starting with the Be-Bop period, Mark Anthony Neal reads the tale of "black communities" during the black culture in renowned track.
Exploring the extensive variety of black cultural event and expression, Neal locates a background that demanding situations the view that hip-hop used to be the 1st black cultural circulate to "speak fact to power".
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Additional resources for What the Music Said: Black Popular Music and Black Public Culture
Example text
25 With the commencement of the “Great Migration,” these organs solidified their singular roles in the network of African-American communal relations. ”26 The Chicago Defender would go as far as to name May 15, 1917 as the official commencement of the Great Migration. Such an effort simply acknowledged the role that the black press played in stimulating interest in the urban North. The black press had a rich history of incubating political resistance since the arrival of John B. Russwurm’s Freedom’s Journal in 1827.
Ten years after jazz, in the form of swing, becomes the language of mass consumer culture and an integral part of the cultural buffer that diverts working-class resistance from the realities of Depression-era America, bebop emerges to articulate a distinctly mid-twentieth-century urban blackness. Hard-bop and soul would emerge in the 1950s to emphatically construct an urban working-class blackness that was distinct from the black community’s more visible southern-based liberal bourgeois leadership, but a blackness in which the successes of the Civil Rights movement are ultimately premised.
Migration, Industrialization, and The Black Public Sphere The emergence of W. E. B. Du Bois and the publication of his text The Souls of Black Folk in 1903 reflected the growing sentiment of a restless constituency ready to challenge the realities of Jim Crow America. Du Bois’s career and training inform the increased influence of the “New Negro,” here constructed as a northeastern, urban, middle-class elite, dedicated to creating public spaces in the urban North to affirm black cultural expression, black commerce, and black political aspiration.
What the Music Said: Black Popular Music and Black Public Culture by Mark Anthony Neal
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