By Milly Buonanno
ISBN-10: 1841501816
ISBN-13: 9781841501819
ISBN-10: 184150999X
ISBN-13: 9781841509990
As tv threatens to interfere upon our day-by-day lives greater than ever ahead of, via mobile telephones with broadcasting features and millions of latest and formerly incredible channels on electronic television, The Age of tv takes a cautious examine the impression of this media shape on smooth life.Milly Buonanno analyzes the best way televised leisure has significantly altered human belief of position and time, expanded possibilities for oblique social adventure, and fueled the collective mind's eye. Drawing on vintage media theories yet providing a clean examine television’s dominance of Western tradition, this e-book presents an positive standpoint at the probabilities of the small screen. “One of the main stimulating endorsements of Coronation highway and The Sopranos that any one has ever written. And stable for Buonanno . . . for eschewing a number of the grimmer money owed of the results of ‘junk’ television which many different commentators supply. Gleefully and continuously she rebuffs those that see the export people television indicates as ‘cultural imperialism,’ through which Hollywood pumps out soul-destroying pap to numb the minds of fool consumers.”—Financial Times “Some say that the age of tv is over. if this is the case, then the medium has chanced on its excellent historian and critic in Milly Buonanno. i've got learn her paintings with excitement over a long time. It culminates with this book—a attractive travel de strength. And if television certainly has a future—as I firmly believe—then this tough-minded yet subtly-expressed volume may be our greatest advisor to what lies forward, as well as what went before.”—Toby Miller, Editor of tv & New Media “In this elegantly written and hugely unique re-evaluation of tv, its narrative kinds and its key analytic texts, Milly Buonanno offers an exhilarating and philosophically subtle examine of tv in all its wealthy complexity. An magnificent and ground-breaking work.”—Manuel Alvarado, collage of Luton “In this wide-ranging and regularly insightful booklet, Milly Buonanno takes us on a trip from the beginnings of tv in 1936 to the current day, and certainly past to the electronic destiny which awaits us all. En direction she interrogates a few theories that have ordinarily ruled tv research and gives an exciting counter-analysis to theories of cultural imperialism. A refreshingly open and looking out method of a medium in consistent evolution.”—Hugh O'Donnell, Caledonian University (20100615)
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Extra resources for The Age of Television: Experiences and Theories
Sample text
Since the essentialist conceptions are as all-embracing, in their attribution of unique and definitive properties to the things being considered, as they are irreconcilable in making such properties the elements of an unshakable innate diversity between one object and another, it is not surprising that watching television should have been conceptualized in reference and contradistinction to going to the cinema. The ‘glance and gaze’ theories are very revealing in this connection. It was John Ellis, in his highly influential Visible Fiction published at the beginning of the 1980s, who established and repeatedly asserted that ‘TV’s regime of vision is less intense than cinema’s: it is a regime of the glance rather than the gaze.
One may ask whether a public ceremony suffers a certain devaluing or degradation of its component parts – the ceremonial dimension and the public dimension – in consequence of being linked with the domestic space. This question is as relevant as it is insidious. We can easily be persuaded to agree with the argument concerning publicity and loss of ceremony, while falling into the temptation to judge the new by old-fashioned or inappropriate standards. Clearly this is not the case with the theory of media events: one of the main aims of that theory is to lend transparency and value to the ‘retextualization’ of the ceremonial, and to the redrawing of the symbolic boundaries between public and private space which – quite unlike a simple privatization of what is public – takes place in the home viewing of collective events.
The flow is a truly singular case in the history of ideas in the field of communication and the media. The idea of the flow sprang from the first ‘close encounter’ (White 2001) of a European intellectual, accustomed to the regular pattern of BBC programming, with the sequential – and, for an outsider, confusing – delivery of American commercial television; and was conceptualized by Williams in terms that do not dispel a suspicion of essentialism, completely alien from his intellectual habitus. Williams, in fact, attributed to the flow the significance of a defining characteristic of television, understood as much as technology as cultural form.
The Age of Television: Experiences and Theories by Milly Buonanno
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